Why The Mahabharata Saga reads like a movie
When readers say my writing feels “cinematic,” they’re right—that’s by design.
I believe myths are humanity’s first movies—full of spectacle, conflict, and emotion. In The Mahabharata Saga, I write each scene as though the camera is already rolling. Dialogue flows like screenplay beats, battles unfold with sweeping motion, and silence carries weight.
By merging the discipline of screenwriting with the richness of Sanskrit epics, my goal is to make readers see the story, not just read it.
This cinematic method invites adaptation—so that one day, these books may live not only on pages, but on screens. Because mythology, at its core, deserves to be experienced in full color and motion.